Dan Photographed Mexico in 1983

DanMexico

2015. Acrylic on Masonite®, 20 x 13″

This could also be titled: Poor But Healthy Jack. It’s another painting to be auctioned off at my friend Dan’s going away party.

The many new birds and wild clusters of gnats have drowned out the noise of myself. From Last Communion:

April is Clean Up Time With Paints, Squeezing Out Tubes, and Making History

For me freedom happens whenever I am arrested by the element X. Yesterday’s work was spent dreaming about what will be if I allow the X in for longer periods of time. This isn’t bragging or false modesty. It is what it is. I am an artist, good or bad, but one through and through. Yesterday I would have painted on the cats if there was no canvas or paper at hand. But then I read to my daughter, improvised a rich stew, painted frames, cleaned out cat litter boxes, made beds, did laundry, planted late garlic—basically chased the ten thousand things which all of us are bound to do.
But not once the money exchange.
As a younger man I should have had my fortune read to spare a future old man anguish. But then I never would have believed it. Now at 46, instead of the positive I-Ching thunder at the well, my “art” gets thrown down into the well. Financial success is not showing in any card, and I guess that was meant to be, for me.
Artists never wanted a built-in swimming pool with cocktails at sunset anyway. I can tell who the wealth-desiring phonies are from a gated community away. It’s just that the onset of old age has me devaluing my efforts more often, when I know I should keep the fighting attitude alive and strong.
All of this is okay if viewed future-historically. I know the value of archiving struggle. For posterity. Today in New York, they take thirty percent of your skin (if you’re lucky to get a foot in the door of four white walls and around-the-room track lighting) because the power of influencing rich stupid people is basically an art in itself. These liaisons play their part, maintaining personal wealth and status while courting filthy rich imbeciles of a lower order. But they only serve a present purpose, and much of that is made in the past. The art collectors have money. The artists do not. There has never been a time on earth when the latter held their heads financially high like bankers in Mercedes. Cave painters were probably tolerated their art for performing some other shameful, putrid tasks. Cleaning out the crap corner of the cave, or burying the six-day-old dead. The ones who stubbornly held their arms to the chest declaring “not another demeaning task,” were probably tossed over the nearest cliff.
I am a cave painter in a poor upstate village. If there are three art buyers here, they have already cornered the market on still life apples and chiaroscuro candles melting wax. I have an existentialist’s chance in heaven to be supported by my community. Unless I decide to seek the Calvinistic retardation of “mop a floor for your dinner”. Then I will be financially independent, and afford any smartphone with its two-year contract.
No. I have a rich wife who supports me because I support her.
And I see into the future an immense archive sold at auction for $500.00, with a U-Haul rental fee waived. My grandchildren will get an education in the arts, enough to know that dedication and devotion to painting, or the like, where there is no contemporary investment, is like mopping an institution’s floors for free because you think you deserve the pool and cocktail-at-sunset prize, even though, after all, it was just a shiny floor. And nobody, not a single soul in your world, ever pressed you to live this fool’s eternity.

P.S. Please feel free to share my work with a wealthy gallery renter in NYC. She can take 90% commission. I’ll ask my friend Dan to load up his mini-van and we could be set up in a day. Tell her that I am handsome enough for my age, and on opening night would mousse my remaining hair and talk to prospective buyers as if they too possessed the artist’s hopeful soul, and not the caged rabid animal gesticulating in their void. Tell her that I am more desperate than a dead Basquiat or a living pervert like Jeff Koons ever was. Tell her that if given a small financial push, the gigantic chip on my shoulder would explode in creativity, which could help her realize her dream: the pool and cocktail-at-sunset prize.

 

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